Soul Screaming Pop Culture: Lanterns is all slight-of-hand – darker truths about everything from apple shooting, to strip bars, to nine months ruined, to that Huxtables reference

Lanterns, episode 3 challenges the audience to pay attention in ways we may not be used to no matter who we are. In service of a superhero story, we are asked to wrestle with questions about what makes a hero, what renders that hero heroic, which path is a justifiable road, what is acceptable behavior from anyone in service of the greater good, and how what we’ve come to expect from such stories can be used as slight of hand in the service of entertaining and engaging an audience.

However, the answers Lanterns have provided are all close-up magic.

So far in this show, we’ve been shown an allegedly reckless, possibly careless, defensive “hero” in Hal Jordan. He’s repeatedly shown breaking rules, disrespecting authority, and playing the fool when he should be acting like a hero. This space-travelling hero who has dealt with aliens of every shade of the rainbow, is also presented as someone guilty of at least white privilege, at worse racially obtuse pop culture references.

This is all slight of hand.

We’re also shown John Stewart, a second-generation candidate for Green Lantern, who, on the surface, demonstrates every quality we might think of as heroic. He’s brave, stoic, intelligent, serious, well-trained, fearless, patient, and is not going to break for anyone. He’s willing to take the hard road for the greater good, even if it diminishes his own standing (dishonorable discharge), and he has no quit, whether it be in the face of clearly abusive parental training, clearly abusive manipulating from the military to cover up uncomfortable politics, or clear abuse from his alleged trainer, Hal Jordan.

This is all slight of hand.

And we’ve seen the Guardians are a flawed species (they made the Manhunters, and recruited humans without any read on the complexities of human cultures. for examples) who present as in control, corporate, and privileged, appearing as a green light and disembodied voice in the middle of the night, elevating humans without introduction, and asking if they’re scared, not understanding that past experience defines how that question will be answered. The result? The show would have us believe the Guardians do not approve of Hal Jordan, misread those who “failed”, especially the Stewarts, and want to use one (John Stewart) to replace the other (Jordan) as a better fit for their organization.

This is all slight of hand.

We are also led to believe there are two or three opposing forces —the ranch militia, the angry survivors of a massacred planet, and the Manhunters themselves, all gearing up for a battle that, by 2026, will leave the ranch leveled and Hal Jordan dead from a bullet to the head (the latter known in this column as the Tom King turd).

Most of this is slight of hand, I think, with the exception of the turd, which is a tragic self-own any way we look at it.

How is all of this slight of hand?

Think of Hal Jordan as Space Columbo (some youngins might have to Google Columbo) playing the fool to distract everyone from what he’s really doing — his job.

Here’s my take on the “evidence” provided:

Hal’s going to a strip club and “running into” a Congressman who drunkenly tells him the location of a notorious gun lord or terrorist or whomever John Stewart was staking out for nine months? All a ruse to take that guy off the board before he could do more harm.

Dropping that international criminal off at Guantanamo? An eye poke to the governments allowing such a threat to run around free.

Manufacturing money to play a juke box? Rather than an abuse of power, it puts into action an unorthodox plan that, eventually, got Hal in a room with an alien and allowed Hal to save the entire town for Rushville, and maybe more. Stupid plan, huh?

Hal’s ill-considered comment, “You’re like the mid-west Huxtables”? He made that comment in 2016. Bill Cosby’s crimes became widely known in 2014-15. There is a valid interpretation that Hal was saying the Stewarts present as a perfect family, but Hal saw the bullet holes on his way in, he’s done due diligence on John Stewart and he knows how the kid was trained. He’s saying there is a darkness to that presentation (which we witnessed all through episode 3).

Less of a racist comment and more of a Columbo-esque compliment that reveals the crime.

And his abuse of John Stewart. He knows the Guardians selected him and, like John, he knows why. Hal knows he’s a pain in the ass to the Guardians because he is the one thing they cannot stand, independence. He does what he believes is right and get the job done his way. Not theirs. It may very well turn out to be that Hal knows John Stewart is his replacement, or at least that is the plan, but he’ll be damned if he’s going to let them mold John into their preferred kind of Lantern, especially since they have repeatedly demonstrated they do not have a sensitivity for culture, human or other wise (Need proof? See the Stewarts and the other candidates questioned, and, ahem, their creation of the Manhunters).

That makes him a Green Lantern.

And John Stewart?

He’s more than the pliant, chain-of-command following servant the Guardians believe him to be. He’s more than the fearless warrior his parents abusively made him to be. He’s more than the asset-turned-pawn the military trained him to be. John Stewart knows he can work within any system to become what he wants, and who he wants, to be. And that is someone who does the most good in even the most difficult circumstances no matter the weight that puts on his shoulders.

That makes him a Green Lantern.

Yes, they are on a collision course. That is almost dried up superhero trope at this point. Yes, they are almost polar opposites. That makes them perfect foils for each other, as were Green Lantern and Green Arrow in the classic Hard Travelin’ Heroes run by Denny O’Neill and Neal Adams. And yes they are going to fight side-by-side, having each other’s backs when whatever opposing forces descend on the ill-fated ranch.

All of which makes for a great slight-of-hand trick/tremendous story.

But what about Hal being dead in 2026, and “Guy Gardner has Hal’s ring”, both told to us by Tom King? Well, he is either going to resolve both in great plot twists so satisfying we consider forgiving his dropping of turds on this promising season, or his stank will ruin it all and we’ll hate him forever.

No pressure, Tom. The CIA might take you back. I hear their desperate.

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SOUL SCREAM ANTHOLOZINE ISSUE 8, MADNESS TAKES ITS TOLL exists!

Finally, both the ebook and paperback formats have been approved by Amazon.
Our annual summer issue is just making it into the last rays of the season! Happily, the stories and poems and panel and essay features are all outstanding.
Ebook available now – $2.99 through Labor Day
Paperback available 09/03
https://a.co/d/0hHQSixF
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Tim curry was masterful.

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Lanterns, Episode 2 is a Beautiful Buffet…with a Tom King turd as a center piece

Props where they are due—Lanterns, episode 2 is a feast for fanboys, a delicious development of the detective plot, an exquisite expansion of the show’s super-hero elements, and a wonder of world building. And all of that splendor gets slightly spoiled by Tom King’s big fat turd from the first episode which is stinking up the success.

We’ve got a really good, possibly great series on our hands, with galactic upside hinted at with the introduction of each new episode, every plot point, and moment of character development. Lanterns is fun, fantastic, and funny.Wow, right?

And there, tainting all the potential greatness, is Tom King allowing the TV people to convince him to kill Hal Jordan.

With every great Hal line and each pure moment of his being Green Lantern, we’re reminded that he’s going to end. And in the first episode behind-the-scenes interviews, King confirmed it with glee.

Interesting that this week we’re hearing mumbles of “maybe” and “we’ll see” and “hold your judgement until the end of the season.”

And we all know why.

Tom King’s turd.

Right in the center of the entertainment buffet.

Why do I keep blaming Tom King? Because he knew better. The other two are TV people, who don’t care about anything that doesn’t fit in their own mirror. Tom knew better. Tom has worked harder. But he let himself get seduced by the twin Sinestros.

And no matter how incredible this show gets, Tom’s turd taints any triumph.

Thanks, Tom King.

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BOB AND GRACE

Bob: Prices are up, jobs are down, ICE is still hurting people and putting them in private jails without trials, and now we’re being asked if we’ve been loyal. Hon, why is all this happening?

Grace: Our government is at war with our country.

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This is community

A deep bow of respect and thanks to all those who supported and celebrated the latest issue of Soul Scream Antholozine even as I am struggling with Amazon to get the paper back edition out there. This is what community is all about.
You can get the e-book version for $2.99 right now on Amazon.

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What is Soul Scream Antholozine? A feast of reader choices.

I’m honored to be the guest on the Horror Words Podcast hosted by Charles Barouch and Jon Frater. We discuss Soul Scream Antholozine’s new issue, Madness Takes Its Toll. Here’s my explanation of what goes into making SSA a unique reading experience.

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Talking “Madness Takes Its Toll”

I’m thrilled to be the guest on the latest episode of the Horror Words podcast with Charles Barouch and Jon Frater…and being allowed to turn the tables on them in celebration of the release of SOUL SCREAM ANTHOLOZINE issue #8, Madness Takes Its Toll!

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A Green Lantern Eulogy… for Tom King’s Credibility

Brothers and sisters, let us bow our heads for a once gifted comics writer’s honor…

Over the past decade or so, Tom King has arguably been one of comics’ best storytellers. He wrote outstanding tales including The Vision, Supergirl: Woman of Tomorrow, among others,as well as superb runs on Batman, Wonder Woman, and more.

Of course Hollywood came calling, adapting many of the above mentioned works for television and film. Some worked spectacularly, others were maligned by the internet politics of the day.

Largely, though, King remained unscathed. Sure, some of his works were controversial. For example, I was not a fan of his Mister Miracle, thinking it a bit disrespectful of the source material. And I should have taken that as a sign that he was susceptible to twisting legends for the outrage.

Too late now.

Lanterns, episode 1 proves he has fallen into Hollywood’s self-aggrandizing sway.

I mourn King’s credibility because he allowed himself to get Mundified and Lindenoffed. And because he let himself be seduced into thinking it was a good idea to kill Hal Jordan.

Selling out one’s talent to manufacture a lame controversial cliffhanger at the end of its first episode is a damn shame.

Killing a significant character to prove there are “real stakes” is a played out and lame idea that should have been left to rot back in the Whedon era.

Tom King should have known better. Should have worked harder. Should have fought Hollywood for the show’s sake, for his credibility’s sake, for Hal Jordan’s sake.

Hal Jordan, wronged by Tom King.

Worse than all of this is Writer Tom also allowing himself to be convinced it was such a good idea he would join these lost Hollyweirded egos in promoting it. He actually said on the official Lanterns podcast that “there is no legacy without loss.”

And that, ladies and gentlemen, is pure Hollywood bullshit. Sure, once it was a credible device, like in the 1930’s through the 1970’s. But each cinematic death felt a little weaker, a touch cheaper. By the time Whedon was making it a staple of heroic shows and films, the trope had worn so thin we could see through it.

As a storytelling device, killing a character to show stakes are real is almost as boring as proclaiming the butler did it.

Sadly, that nonsense crept into comics around the time of TV’s Whedon era. Killing a significant character to prove stakes was horribly beaten to death in the ‘80’s and ‘90’s, with the death and rebirth of just about every superhero on the big two’s rosters.

And on TV, from M*A*S*H* to Buffy to Angel to Firefly (technically, Whedon waited until the film Serenity to stoop to this, again), to Avengers: Age of Ultron (Whedon, again), to the season one shocker of Game of Thrones and on and on.

This tired trope became such a cliche that podcasters made money speculating who would die next season, next episode, next anything. A once shocking twist was reduced to tedium. And being boring is a cardinal sin for writers.

Tom knows this. And he should have fought harder against disrespecting a beloved character in this way. It was his responsibility as a writer with self-respect to reject such a shameful waste of an opportunity to tell a tale for the ages.

And Tom’s attempt to repackage this played out trope by claiming “there is no legacy without loss” is just, to quote Deadpool, “lazy writing.”

There is no legacy without building it, and in a new medium for Hal Jordan like, say, live action television, one episode isn’t enough to create his legacy for the television audience. An interview on 60 Minutes isn’t enough to claim legacy. Showing Hal being a wiseass to his trainee John Stewart, or flying off and sticking Stewart with the check, or successfully interrogating an alien and protecting an entire town from destruction isn’t enough to claim legacy.

Legacy takes time. It took sixty years of comics stories for Hal to be loved as he is. Tom can’t claim legacy from those stories as part of this show’s legacy, the TV audience didn’t all read them. We were given one episode, and then Tom killed a hero that other writers spent sixty years building into a legend. And then he claimed it was necessary because “there’s no legacy without loss.”

Trite.

Boring.

Old.

Tom was once better than this. His background in the spy industry should have prepared him to defend the honor of beloved entities, be they country or characters. His years of writing respectable stories should have built up his defenses.

But Hollywood lavishes praise on “new” talent, ego strokes the wide-eyed to ecstasy, shines its bright lights directly into the deer’s eyes, before asking for just one little favor…

And I do have empathy for the death of Tom’s credibility. Going Hollywood is dangerous. And the fans should have seen it coming. We should have cried out a warning. But no, we just watched our YouTube fanboy shows for updates while Tom were getting Mundied and Lindenoffed.

So, in a way, this is all our faults. We let it happen.

Hal Jordan may or may not stay dead (this is a comic book show, after all), But Tom King’s credibility? With each interview he does defending this cheap move, the fishnets get pulled a little higher, the make-up is slathered on a bit thicker, and his price? Well, it gets tough out there on the streets…

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Bob and Grace

BOB: Secretary of State Marco Rubio is scheduled to meet with Canada’s foreign minister, Anita Anand, at the White House to negotiate a trade agreement or Canada will face 50 percent tariffs on more goods.

GRACE: Sounds like larceny to me.

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