Daredevil Season 2 is Masterful Mythmaking

There will be no spoilers here.

Plain and simple, Daredevil Season 2 may be the best project Marvel has produced. Epic storytelling on both a gritty street level and global scale, these 13 episodes weave at least eight intriguing plot threads together with admirable dexterity, clarity, and balance. Truly impressive.

The writing emerges from comics, rises through Martin Scorcese’s taxi driving mean streets, and stands shoulder to shoulder with any of the great tales of American Myth. The cinematography is by turns intimate and breathtaking, gritty and elegant, thrilling and heartbreaking. Every performance absolutely crushes. Netflix could easily have three series come out of this stunning tale.

As for the subtexts and dynamics and thematic morale wrestling match, bravo. Lots to chew on, all moral cores are well established, organic to the characters, and debate the eternal argument of justice without letting anyone off the hook, including the audience.

All this, and it is also a thrill ride from start to finish. Batman V. Superwho?

This is an amazing time to be a fan of genre and stories and American Myths, and Daredevil Season 2 stands among the very best.

  

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Chapter 4 – “Blackjack: Ransom for a Dead King”

We had a bit of trouble this week but finally, here is chapter 4. All earlier chapters can be found right on this blog, free for your entertainment. Please let us know if this experiment is working for you!

  
  
  
  
  
   
 
  
  
  

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Chapter 3- “Blackjack: Ransom for a Dead King”

Last week I shared the first two chapters of this storytelling experiment. Here is the latest installment of our “found materials” epic adventure…
  
  
  
  
  
  

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“Blackjack: Ransom for a Dead King”                                                                               An Adventurous Gift for You

There are so many ways to tell a story. Print, e-books, audio, just to name a few, are growing in popularity as part of the Indy book movement (despite the doctored figures big publishers want people to believe). Podcasting and YouTube shows also speak to new venues for connecting with audiences. And, of course, the world is overrun with blogs, mine included.

But how else can creatives share a story with readers? 

Blackjack creator Alex Simmons and I think we may have found a fresh way to share the kind of pulp, cliffhanger-style, serialized adventure we have aways loved, and we are doing exactly that, for free.
The idea is a “found file” format, where readers get to see the file of one of the story’s characters. Subsequent materials come from a variety of sources and have been gathered so he can see the whole story …. And so can we.

Your part in all this is to sit back, scroll through, and have fun (and hopefully let us know what you think). 

Here are the first two chapters. More will come every Saturday around noon, just like the old time serials. Enjoy.

 Chapter One 
  
  
  
  
 Chapter 2 

  
  
  
  
  

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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The Best Father/Son Relationship on Television

I am a father of twin boys. Well, twin men. My sons are 20 now, and our relationship has moved into a more mature zone. And while in that uncharted territory, I find myself grateful for being able to watch the best father and son relationship I have ever seen on television. That virtual how-to on parenting is a featured element of the CW show The Flash.

Grant Gustin plays Barry Allen/The Flash and the great Jesse L. Martin offers a master class in parenting as Det. Joe West, who took Barry into his home when his father was wrongly convicted of his mother’s murder.

The relationship between these two delineates the perfect modern father and son bond. There is clear love, respect, and communication that many parents would pay considerable money to enjoy. Again and again, Joe Allen offers his guidance and support and makes the effort to understand who his adoptive son is becoming. There are no preconceived expectations other than wanting to be in Barry’s life. Joe is equally good at working through problems with his natural born daughter Iris, the love of Barry’s life. Navigating that particular minefield gives Joe a platform to truly show what a role model he is to parents everywhere.

In a show that offers everything from the perfect execution of sci-fy 101 tropes to compelling characters, the parenting and Barry’s relationship as adoptive son shine as bright or brighter than all other elements of this classic television series. 

If you haven’t seen The Flash yet, go to Netflix and start to catch up. This is a show that is not to be missed for so many reasons.
  

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In the Wake of the SPOILER, is The Walking Dead Still Worth Watching?

SPOILERS AHEAD. YOU’VE BEEN WARNED.

Sunday night still bothers so many of us, much more so than numerous other intense episodes of The Walking Dead. And questions abound, haunting us, making us go over that particularly horrid moment in our heads. Some rewatched the sequence searching for possibilities: chest positioning, where the blood was or wasn’t, screams, and the placement of a dumpster. We do this hoping against hope that fan favorite Glenn somehow survived what looked like a horrible demise on The Walking Dead.

He’s done so before…. 

    
 
Glenn has survived so many impossible odds, he has become a strong symbol of hope for humanity on the show…

   
   
And our hopes have suffered horribly at the dastardly hands of Kirkman and Gimple and Nicotero, et al…

  
But they have also seemed to be wandering away from the comic book, improving upon the story that started there, creating moments that rose above the comic’s achievements. One way has been by being smart enough to avoid mistakes made in the past, sometimes terrible, trust-violating, inorganic horrors that caused many of us to stop reading the comic…

  
Which is why it is so hard to believe the show runners of TWD would willfully repeat the same Crime Against Fans. 

And yet, here we are haunted by Sunday night, mourning the apparent meaningless death of a beloved character again.

Gimple went so far as to offer a message to The Talking Dead viewers, seeming to say such things must occur so the story doesn’t suffer from having safe, untouchable characters.

Or he could be messing with us.

Or maybe , gulp, not.

The reaction to Glenn’s comic book death was overwhelmingly negative, but it seemed then that Kirkman didn’t care then (which is admittedly his right as the creator), so why would he care now?

Or he could be messing with us.

Or maybe, sniff, not.

If, as they have always said, serving the story means no one is safe, then Glenn could have been killed to prove that. If this is true, the question that needs to be asked is … What story are we watching? If last season’s advertising image is to be believed, this is a story of survival….

  
And, if this is a story of survival, shouldn’t one of their best survivors do so? Shouldn’t our symbol of hope for humanity  find a way? Or is this merely a “survive for awhile” story? If so, why are we watching? If there truly is no hope, if all of this drama and pain and desperation only results in postponing the inevitable, is The Walking Dead worth our time?

After Glenn was killed so inorganically, so unheroically, so meaninglessly in the comic book, the answer for me became “No.” I stopped reading. I hoped the show would prove to be a different experience.

I still hold onto that hope…

… Gulp, sniff…

But it may be fading….
Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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And now, something for you….

I publish books under the imprint Seamus and Nunzio Productions, LLC. That name came from my older brother’s reaction to the maternity ward picture of my twin sons, who turn 20 this weekend. To celebrate, we are doing a free giveaway of three titles – a novel, a collection of short stories featuring my most popular characters, and an exclusive short story. Come celebrate these inspiring sons with me!

Birthday blowout Free giveaway:

My two other novels are now at the low price of $2.99:

Enjoy!

  

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Defending Kevin Smith (to Kevin Smith)

Okay, I’m dragging my protruding gut through a kettle bell workout with the sound off while listening to the recent Smodcast “Comic Book Men” episode, and I once again had to endure multi-hyphenate Indy legend Kevin Smith repeatedly calling himself fat, dissing himself as a writer, and mocking his directorial talents (taking turns laughing off Clerks, Mallrats, and, most often, Tusk). Between bouts of berating himself, Smith was consistently gracious to, grateful for, and supportive of his audience. He treated them like gold, casually directed an audience member’s superhero pitch, launching into a vivid retelling of the epic fight scene at the end of Daredevil episode 2, and then going to church preaching the power of self-actualization to his audienc…

… all generous helpings of self-loathing throughout.

There are clearly two Kevin Smiths and they are so out of balance now that one is holding the other back. Someone has to say something.

So…

Dear Kevin Smith,

Please, please, pretty please (I’d say “with sugar on top” but you gave that up), it is time for you to do the Captain Kirk doppelgänger battle, the Bruce Lee room of mirrors showdown. There are a series of problems with how you see and present yourself and it is abundantly clear to us that your words about yourself just do not match your deeds. Just as you encourage us to reach for our best selves, we plead with you to face the truth.

Actually, there a a number of truths we ask that you review. The biggest problematic Kevin Smith statements are as follows:

1) “I’m fat.” Nope, not any more.

2) “I can’t write.” That’s a lie, and every podcast, book, TV show, and movie you are involved with demonstrates the depth of its untruth.

3) “I can’t direct.” What criteria are you using for this judgment? That you haven’t made a wildly successful mega million dollar summer tent pole? That Bruce Willis went full angry jerk on you? How are either of these accurate measures of your achievements? A far more legitimate measure would be the throngs of us that come to see you at appearances andcons. You know, the loyal audience that subscribe to your podcasts, watch your shows, and, of course, buy and cherish your films (some even defend Tusk, the first half of which was awesome).

And that is the reason for this post. You have a body of work, a vividly alive, vibrant, multi-platform body of work, that nourishes and delights millions. Is your audience the size of Marvel’s? Maybe not, but the accomplishment of gathering a tribe the size of yours over these many years and watching us thrive at this strength — that is a triumph that you clearly get but for which you do not seem to accept credit.

How did you do it? Luck? Maybe a bit, but you made most of your own luck by putting yourself out there. 

If not just luck, then how?

You achieved all this, gathered all of us, because you are a gifted storyteller and conversationalist of significant passion and humor and heart and thoughtful depth. You spend a significant amount of time espousing and encouraging us to be good to ourselves, to fulfill ourselves, and to allow our creative selves to emerge. And we love you for it. To us, you are not fat, you write in a style we embrace deeply, you direct in a unique and beloved way- we even love your wardrobe.

Honestly, what more can a creative want? 

So here’s a request that  you, as a former duly trained Catholic boy, will recognize;love yourself as you have loved us. You deserve it, we deserve it, and if you finally forgive yourself and cut yourself a break, we’ll get even more great Kevin Smith creativity.

You deserve to embrace the best in yourself and stop beating your own ass.

We can’t wait to enjoy the results.

  

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Advice to a young artist

(I wrote this to a former student and musician who posted on FB a cool bit of music video of him playing a work in progress. He called it “trash” and, well …. This happened.)

Stop calling your contributions to the world “trash”. War is trash. Pollution is trash. Rape is trash. Overpricing is trash. Ripping people off, whether by gun or pen, that is trash. Lying to people for political purposes or personal gain is trash. 

Coming up with a melody and putting it out into the world is not trash. Creating a pleasant sound or sight or story is not trash. Art is not trash, it is a gift offered to the world, and each of us are allowed to take what touches us as we wish. 

Art is love, my friend, and love is never trash.

   

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When the Babies Arrive

You’ve written and rewritten and rewritten your novel. Gotten beta readers and proofreaders to go through it, maybe copy editors and lime editors if you’re able.

Everything that can be done has been done. Cover have been designed, tweaked, polished, accepted, front matter done, interior layout done, tweaked, proofed, fixed, approved. Back cover written and designed. Spine designed, measured, completed.

Everything is done.

You hesitate, worried you’ve missed something. Sometimes you go back and check everything again, and again.

But eventually that moment comes. You push”publish” or “submit” pray to all the gods you know and/or subscribe to, and your dream goes out into the world.

And you wait. And fret. And market every way you can think of and afford to do.

And, of course, you order copies for yourself.

Sometimes you tweak design and re-order. Recently, I did both, changing interiors to cream-colored and covers to matte for the first two parts of the four- part City Series, and doing the same with my YA debut GENIUS HIGH.

And today, they arrived.

And here’s my advice. When yours arrives in your home, take that moment, open the box or boxes, and take that moment, and gasp at them.

From the deepest parts of your imagination to existing in reality…

So beautiful….

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