What Message the Boston Marathon Bombing Really Sends

I have been struggling with what to say to my junior and senior students about the Boston Marathon bombings. I hate that this is the “latest terror attack” – the phrase delivers the twin defeats of acknowledging we now have a history of these and suggests more to come.

But the more I read and watched coverage, the more I saw the truth: we won, again.

The dominant images and accounts I absorbed were those of giving and caring and sacrifice in the face of fear, at the bombing site, amid the death and maiming. Once again, people didn’t just run to save themselves, didn’t all lose their minds to terror. An impressive and inspirational number of these ran into the carnage, into the danger, to help others they didn’t know.

This bombing is a tragedy and our hearts go out to the dead and wounded and their families, but to the terrorists, the message is clear: our humanity defeated your cowardice. Again.

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Education Reform Shouldn’t Get The Bum’s Rush

When is Spring Break not a vacation?

When teachers spend it stressed about the future of their profession, their careers, tenure, pension, health benefits, ability to pay their mortgages, send their kids to college, feed them.

Yeah, it is that serious, because a storm is gathering, the elements are coming together, and when it really hits, it will already be too late.

And too many teachers are not doing a thing about it.

From a perspective of a former journalist turned New Jersey teacher, that storm looks ominous indeed. Let’s start with the weakening of tenure laws. On their own, many teachers will agree that truly bad teachers exist, and they tarnish our own hard work. Improving the process of weeding out the demonstratively poor employee is a reasonable course of action. But, in the wrong hands, this becomes a way for an ambitious administrator to prove his/her mettle, to make an impression, to strengthen his/her resume, to rule through fear. It can become too easy to go from weeding out the few bad apples to staging a witch hunt. And then a good thing for education, for our kids, becomes a weapon of terror.

Next, let’s consider the so-called approved teacher evaluation tools. There are suddenly many in existence. All of them seek to do some good. All of them go off the rails at some point. In an effort to be all things to all people, these tools continue expanding expectations for teacher performance until the tool cannot possibly work in reality.

Essentially, these evaluation tools profess to ensure student progress and improvement. Basically, teachers will be evaluated on student growth; students will be measured at the beginning of the year to estimate what they know, then again at mid-year, and once more at year’s end, to measure what they have learned. The expectation is that students should grow significantly each year. Most teachers applaud this as a concept, goal, and idea. The problem again comes in execution.

How exactly will students be measured? In many cases, we don’t know yet, but implementation is moving forward. Who will create these evaluations and what kind of time will be allotted to make sure they are of quality and effective? Again, we don’t exactly know yet, but are expected to move forward. Will the measure be a sliding scale? Will Special Ed kids be expected to grow as much as and in the exact same way as mainstream kids, or Non-English speaking kids, or emotionally disturbed kids, or kids battling a severe illness, or gifted kids who score really high right out of the gate? How much growth will be considered effective for each of these groups? Supposedly, the average will be measured. Which one? One size does not fit all, so, are we planning for all these individual testing needs? How? Once more, we don’t really know yet, but are expected to move ahead.

Further, at least one of these evaluation method calls on all teachers to know each students’ cultural background (admirable), reflect it in the classroom (alongside student work and messages of positive support and best practices, that’s a daunting task), and incorporate it all into lessons every day (awkward at best), while incorporating dozens of other demands in an attempt to create classroom nirvana at all times in all classrooms everywhere.

Again, admirable, again awkward to impossible to achieve while engaging students in a dynamic lesson (asking Joe how his Mexican heritage can be reflected in Act II ofHamlet is going to create more uneasy silences than it will generate progressive conversation any day). Teachers are expected, under this evaluation tool, to engage all students in this way, every class – how weird is that going to be? Worse, educators are going to be evaluated based in part on such elements.

This reveals an uneven playing field for which these tools fail to compensate. An elementary school teacher with 20-30 students will be able to know much more about her/his students than a high school teacher with 90-120 students. Yet, the evaluation tools lay out the same expectations for each. How is that a fair assessment?

While again an admirable concept, this is another unrealistic expectation. In the right hands, an administrator will note a teacher’s ongoing effort to make each classroom reflect the students’ world, but in the wrong hands such over-the-top requirements all but guarantee no teacher will be given a highly effective assessment. Again, this becomes a temptation for the career climber, a way to show strength and expertise, whether denigrating teacher performance actually gives evidence of their administrative skills or not.

And examples of such unrealistic, unfair, and possibly illegal requirements abound in these evaluation tools. One such tool requires teachers to stay for events after contractual hours without overtime compensation (even if they have kids who need them at home), pay to belong to professional associations (at upwards of $100 or more per year) out of pocket without reimbursement, anticipate every question students can possibly ask for each lesson, and reflect that anticipation in all lesson plans, and generate emails, progress reports, newsletters, and website updates for parents often, all just to be considered effective. When does teaching come into the equation?

One more time, these are all beautiful ideas for a perfect world, but taken together they collapse under their own well-meaning weight. And, again, in the wrong hands, become lethal weapons, especially when combined with weakened tenure laws, and ever-tighter education budgets. Put the three of them together and the wrong administrator can find any teacher anywhere with any track record and assess them as suddenly suspect, ineffective, in need of losing tenure, and ultimately, their livelihood.

And none of it is clearly delineated yet, but progress toward making it policy, forcing it to become part of past practices, eventually making it all law and the new reality, continues.

Here is where the sky darkens. How can teachers, or any set of professionals, be expected to sign off on a work agreement that has not been clearly defined? Would you order off a menu that failed to clearly explain what you could expect to be eating? Would you buy a ticket for a movie with an advertising campaign of darkness and silence? Would anyone agree to work a job with a description of responsibilities that is significantly incomplete, especially when job security is tied to performance of those undefined duties? No one in their right mind would. But teachers are expected to do so freely, and quickly, before adequate planning and reflection can occur.

The storm clouds gather and the kids have been left outside…

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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Class Warfare Should be a War on Ignorance

I would like to comment a bit on a fascinating book I read entitled Class Warfare by Stephen Brill. This nonfiction work chronicles the last few decades in American education battles, focusing on efforts to radically change how American students are educated. Brill’s work here is a fascinating and in some ways horrifying read. Here are a few thoughts on why I am so split about this book:

I am both a writer and a teacher. I teach in New Jersey, where repeated efforts by the NJEA to cooperate and move forward with our Governor have been shot down, where tenure laws have been weakened and the LIFO (last in, first out) law is next on the chopping block. This creates an environment where it would make business sense for any top administrator wrestling with the two percent budget cap to cut from the top, eliminating veteran teachers who earn top salaries. But this addresses education as a business, not a craft, and robs students, districts, and communities of master teachers.

So, why should we seek to support veterans teachers? I have seen too many promising young teachers collapse in the face of a particularly unruly or challenged class that no training save actual experience can prepare them to handle. Focusing the attention, cooperation, and efforts of any group of people requires a strength of will, a mastery of dynamics, a performance ability, and mastery of subject craft that cannot be gained without true effort and experience. Brill himself makes several passing comments about young, ambitious TFA teachers learning from masterful veterans. These key passing-of-the-torch moments will be lost if we continue to look at education as merely a business (kids are not developed on an assembly line) instead of the multifaceted craft it is.

Another aspect of Brill’s thesis is that teachers do not care, are burned out, and useless. I have worked with, met and/or observed hundreds of teachers in my career, and can think of only a handful who fit that description. The rest are dedicated professions, even fifteen, twenty, thirty years into their careers. The most heartbreaking aspect of this attempt to privatize education, to have business run schools, is that these dedicated veterans are suffering real, observable stress because of this. I spoke with a school psychologist this year who diagnosed his school’s staff to be “one hundred percent under stress” saying he had never seen such complete saturation in one place. How can this be what is best for our children?

Brill also glosses over the major differences between charter and public schools: public schools are more crowded, cannot choose their students, and cannot dismiss or toss out misbehaving students like charters can. Public schools do not have the express written commitment from parents that charters obtain, agreements on discipline, dress code, homework, etc., and cannot require it. Yes, there is an implied agreement, but even a tiny percentage of noncompliant students can disrupt and slow forward progress on all these fronts. Public schools embrace and work with these students as best we can within evermore restrictive budgets and laws. Charter schools send such challenges back to the public schools. So we are really comparing apples and oranges here.

The bottom line is that all of this is smoke and mirrors. If the government was actually interested in improving education, in creating a truly well-educated populace, politicians would declare a War on Ignorance, and commit real money to the effort, reducing class size, upgrading technology, and developing strategies to polish teacher skills, not force them to always look over their shoulder. But a truly educated populace is a very scary prospect for politicians. So maybe they are who we should be hunting…

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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On Writing: A Phone Call Writers Dream of

You can’t wait for it, will it, pay for it, or do it yourself, but every once in awhile, a blessing comes to writers. Something that re-energizes, that affirms beliefs, keeps the writing going. When it comes, embrace it, live in that moment as it is presented to you, and accept what it gives you; there is no guarantee it will be coming around again any time soon.

For me, it was a call from a long lost friend. There had been 25 years or more since the last time I had seen him, and when he was brought back into my life, it was a fantastic surprise. But not a story book ending. The guy works two jobs, but can’t hold on to them because corporate America keeps shipping those jobs overseas. He’s working 16-hour days working jobs at a pay rate lower than he deserves, and too low to buy the comfort he wants for his family. He deserves better, as do so many other good, hard-working Americans. At the very least, he should be able to find some happiness every once in awhile.

Last night he called to thank me for providing that for him. You see, my old, overworked friend had ordered my debut novel City of Woe from Amazon.com. He called to say he was on page 160 and needed to say thanks. This has never happened to me. This guy who works two-thirds of the day took the time to give my work a chance. That in itself is astounding. And once he got going, he went to his bookmarks and read me lines he loved, passages he appreciated, jokes and music references he completely understood, and, in the process, completely convinced me I had done something right with my life.

So, what am I doing here, bragging? I hope you don’t see it that way. I believe I am sharing a truth too often hidden to creative people; we almost never know whom we have an impact on, whom we thrill, or help escape, or give some form of relaxation to, or where, or when it happens. So I offer this wonderful experience to all of you. Share it with me because odds are, there is someone, somewhere, somewhen experiencing similar appreciation for your work.

Drink it in with me, feel it fuel you, and write on.

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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The Rule of 36

There was a time in my life when my deeply held beliefs and my passions were misread as anger or being “cranky.”
That time was yesterday.
In my continuing efforts to communicate ever-more clearly with the rest of the world, I have had to deal with how I am seen by that world. And sometimes, despite my best efforts, people choose to focus on the expression of my message rather than the message itself. When this happens, no matter who the other people are, the failure is on me.
A writer, or to be completely honest, any human being, must know his or her audience every time a message is delivered. Romance readers often don’t embrace hard-boiled mysteries. History buffs are less likely to give a sci-fi story a chance. The same is true for interpersonal communication.
So here is my advice, which I try to follow, and which I recommit to every so often, especially after confirming that someone I communicated with did not receive the message I intended.
I suggest the rule of 36,
If possible, wait 36 hours before taking action you are passionate about. Use this time to remove yourself from the situation and review who your intended audience is and how best to reach them.
If you don’t have that kind of time, try 36 minutes. Same intention, same focus.
Need a quick decision? Bare minimum, take 36 seconds to ask the following: Does this need to be said? Does this need to be said now? Does this need to be said by me? (Thanks, Craig Ferguson.)
Then ask, what is the best way to get this person to see, understand, and embrace my message? The trick is to calm one’s emotions, and answer with extreme honesty and a focus on the recipient’s needs. What will that person respond to in a positive way? A challenge at times, but I promise the effort is worth it.
Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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What an honor!

I am awed by this honor. Bill Thompson at TheBookcast.com has awarded my novel, City of Woe, the first-ever Book of Exceptional Quality gold seal. Thanks to Bill for this award! You can listen to my interview on Bill’s podcast at this link:
Price, McBain, Move Over. Ryan Owns NYC Now.

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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Author’s Afternoon

Giving a first-ever public talk on your book is an experience not totally unlike being present at your child’s birth and getting asked to cut the chord. How do you know you won’t hurt the baby? Sure, they tell you everything’s going to be fine but … That’s your baby.

And today’s the day. The public library in my town is opening up just so I can discuss my book, City ofWoe. They are spending money to hear me speak, so I have to be good or I may never be able to borrow a book again. And local people are supposedly coming, so I have to be good or I won’t be able to look them in the eye when I am out buying milk or cheap bourbon. If I stink up they joint, people will give me the “you should probably buy some lottery tickets too, you ain’t making no money writing” look.

So, welcome Pressure. Nice to see you again. How’s the family?

The really odd thing about giving a first-ever book talk is there is no way to really know what I am doing. Sure, I can fake it (yep, that’s the main thrust of the plan), mimicking what I have seen “real writers” do when they give talks. I saw Richard Price give a reading two times; for me, it was like seeing the Beatles, then the Rolling Stones. I can do what he did. Except he’d already done hundreds of these (in my mind any way), he was a Pro, An Established, Beloved Writer. I’m just a schmo starting his dream, talking at his local library; what do I have to say?

Lots, actually, and that is the beautiful, awkward truth about all of us. We write because we have lots to say, and deep down, if we are really truthful with ourselves, we want to talk about it. That’s why we started writing in the first place, because we had so much to say.

So what should a writer do at a reading or book talk? I am not An Established, Beloved Writer, yet, but here are a few tips:

* Respect the venue. With the possible exception of a firing squad, any place that will have you should be considered sacred.

* Bring a gift. Cookies, a signed copy of the book, something to show that you appreciate the opportunity.

* Open with gratitude. A simple thank you can help break the ice and set an inviting tone. “Thank you for having me.” “Thank you for coming.” Won’t hurt and doesn’t cost a penny.

* Open with a reading, and introduce it briefly. Write down the introduction. Practice both the introduction and reading, out loud, to smooth it out. Try not to get caught up in perfection, just smooth enough to engage.

*In selecting the reading, ask yourself what gives your book the best chance to appeal to readers without giving away key plot points. Keep the selection to a few pages at most. Less is more, you don’t want to bore.

* Read at a comfortable pace without melodrama. Speak up but don’t feel obligated to scream. In preparation, read and speak everything you plan to do at least once, just as a test run. Make note of phrases you stumble over, and say them a few times. The current bane of my existence is “He picked up a Fruit Roll Up wrapper one of the kids left…” No reason why I keep stumbling on it, but I do. Okay. And if it happens during the reading, I will survive. That is one of the benefits of rehearsal; knowing the challenges.

* Also, remember, nothing is the end of the world. If you stumble on a word, correct and continue. People have noticed you are human; they understand. Don’t make yourself crazy. If they have come to see you, you have already won them over. These are your people. Enjoy!

* What to discuss? Depends on the venue. If you are at a writer’s convention, writers will be attending, so teach them something. I once saw David Morrell, author of many novels including First Blood, the basis for the Rambo movies. He discussed the challenge he set for himself with that book to see if he could write a novel that was almost entirely chase scene. It was a fascinating lecture. And as I mentioned earlier, I saw Richard Price speak. That guy was so calm and unassuming and open in discussing what his intentions were with the book he was presenting (Clockers one time, Lush Life another, if memory serves), that people embraced him like family.

* How long to speak? Between “What a waste! He barely said anything!” and “Oh My God, he wouldn’t shut up.” I am shooting for around 15 minutes, not including the reading, so about 20 minutes or so total.

* And then what? Offer to answer questions. This allows the audience to lengthen the event a bit if they want (if this gets long and/or tedious, you can end at any time with the magic words, “Thanks again for coming out.”).

* What next? Usually there is a signing. Bring books commensurate with your popularity as a writer. This is difficult to judge when you are starting out and acting as an army of one, but bringing more than you think you will need and stashing them under the table so it looks like you only brought a proper amount works well. I usually display a few, have a small pile nearby, and a box under the table in case there’s a sudden mad dash, which happened once and was delightful.

The public reading experience can be wonderful and is always a lesson. Believe in your work, embrace the opportunity, and share your passion.

Here’s hoping this was helpful.

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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Because They Were Kids

Everything changed on Friday. We didn’t want it to, didn’t plan for it, ask for it, or welcome it. And yes, this wasn’t the first tragic shooting of random Americans. We’ve already seen shootings at a high school, mall, a college campus, and movie theatre. They were all tragic. This was different because they were kids.

Little kids. Twenty of them. Missing teeth. Carrying around Magic Markers. Wearing a dress that was supposed to be a Christmas present, but was sooooooo exciting it had to be worn sooner. Playing baseball in the front yard with Dad. Worshipping Victor Cruz. We need to remember all this and more about them because they were kids.

This guy, mentally troubled, of course, with access to guns, of course, went out of his way to kill these kids and their teachers and their administrators. After he had already killed his mother.That was not enough for whatever was inside him. He loaded up his now dead mother’s car with guns and several 30-bullet clips, and drove to the school, but found it locked. That wasn’t enough to dissuade him, give him a moment of clarity. Instead he shot his way in. Shot the principal and school psychologist, and then walked to specific classrooms and shot six and seven year olds. Shot them as many as eleven times. is there anyone in America who can justify a six-year-old being riddled with eleven bullets? The administrators and teachers are a horrible loss, tragedies each, but this becomes different, this changes all of us, because they were kids.

Some in America do not want to talk about this, hiding behind “a call for waiting until people have had time to mourn.” We’ve already mourned – after the mall, and the college, and the movie theatre. Some say we cannot discuss it as a gun problem because of the second amendment. The Founding Fathers didn’t write the second amendment to protect mentally troubled isolated white males wanting to make a statement by shooting up malls and colleges and movie theaters and elementary schools. These guys are violating the spirit of the second amendment, not upholding it, so, yes, we can discuss the function of the second amendment, because they were kids.

Others in America want to point to Hollywood and video games and our violent culture. Fine, let’s study it all and make some changes that serve the second amendment and the first amendment to better serve the spirit the Founding Fathers intended. Let’s strip away all the methods used to twist those amendments and mutate them in the name of profits, because they were kids.

And then there is the mental health issue. There can be no denying that we are not doing enough. Just look at the shooters. They look like Batman’s rogues gallery. Case closed. There has to be ways we as a national community can do more to de-stigmatize getting mental health help, embracing services available. There has to be a way for us to be more vigilant regarding these people’s needs. If we see something is off we have to say something is off, because this time they were kids.

Some say we won’t get anywhere with the NRA and gun lobby. We have to convince them we aren’t against their existence, we just need their help. Perhaps making it profitable for them to work with us is the answer. Maybe some kind of tax incentive can be fashioned when gun sellers and shooting range owners, etc., can write off the loss of sale for every customer that doesn’t pass some agreed upon background check. Pie in the sky? Maybe. But we have to make the effort, we have to fundamentally change our culture to better support the true spirit of the Founding Fathers’ intent. And we have to do it now because this time it was kids.

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On Writing: Getting Back on The Horse

So I’ve been away. Well, not away, but not writing. And the weirdest thing happened; I got crushed with guilt. Crushed.

I wound up with such a weight on my shoulders, and it got worse with each passing day. You can call it blocked, you can call it guilt, but here’s the truth: it is just a waste of time.

Nothing gets accomplished feeling guilty, or blocked, or worthless. You know what should happen if you miss a few days of writing? Nothing. No penalty, no shame, no guilt. Just sit down and write.

The other thing that happened to me was I became overwhelmed with choices. What should I write? Which idea first?

Just. Sit. Down. And. Write.

Does it matter which idea we write about first? No. Just as long as we’re putting it out there, communicating, connecting.

And don’t worry about length. Just write.

Get back on the horse.

Feels good to be back in the saddle….

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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On Writing: Q&A With NJ-Based Syndicated Journalist and Reviewer – Jacqueline Cutler

Chances are you’ve come across the name Jacqueline Cutler at some point. A syndicated journalist covering New York and New Jersey, when she’s not reviewing books she’s writing about National TV and Broadway. After learning that she began her career as a New York City crime reporter (like me), I reached out with a few questions to learn more about her crime days, her family, and her work today. Follow her on Twitter @TMSJackCut.

1. Please tell us a little bit about your own writing career. You started out as a crime reporter like myself. Where was your beat? How did that experience affect you? What brought you from there to where you are today?

I began by covering cops for Manhattan community weeklies – the Westsider, the Chelsea Clinton News and East Side Express. It was the spring of ‘79, and the city was dangerous, making it a great beat. I was paid 70-cents a column inch, and covered some horrific stories.

My last story on the beat was the murder of John Lennon. I was a hard news reporter for many years, covering town halls, a state capitol, different cities, politics and education. I worked in NYC, Chicago, Greenwich and Hartford, Conn., and Oakland, Calif., before returning East 15 years ago and making my home in New Jersey with my husband, two children, two rescue dogs and way too many books.

2. What are your journalistic goals?

I wish they were loftier, but they are usually about meeting the next deadline.

3. How do you find the time for creative writing pursuits in between your career and raising a family?

My own writing is forever pushed to the back burner. I have been swearing to myself that I will reserve an hour a day for fiction and rarely make it happen. I cover television on a national basis for a syndicate, and my main job is writing features stories for TV books. I also write for the syndicate’s website, and am our NYC theater critic, and write for the group’s magazines, in addition to the column about NJ writers. I am [also] the mom of two teenagers.

4. Does being a New Jersey author help or hurt those goals? In other words, does it matter where a writer lives today, career wise?

As a journalist, I think it depends what you are covering as to where you need to live. New Jersey is such a rich, diverse state that it’s a treasure trove for writers. And for fiction, I am guessing you could work most places.

5. What do you see as the challenges facing new authors today?

Getting paid, and making your voice hard above the din.

6. How does your column, New Jersey Authors, address those challenges?

I try very hard to find writers who are from, living in or were educated in New Jersey. As long as it is not a self-published book, I can consider it. I wish that I could give space to every book, but that is just not possible.

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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