My best blogs – Learning from Stan Lee

As the year ends, I am reviewing past blogs, offering some of what I consider my most efficient, both to give these a second chance at and audience, and to focus my efforts for 2014. I hope you enjoy them. Please let me know if this works for you as a year end exercise.

I am starting a series of blogs recounting lessons I’ve learned from big time writers. Since the mega-blockbuster film “Marvel’s The Avengers” returns to theaters this weekend to end the summer like we began it, I am going to start with Stan Lee, the co-creator, with Jack Kirby, of The Avengers, Iron Man, Thor, Spider-Man, the Fantastic Four, the X-Men, and so many more that he should be considered on par with Walt Disney himself.

I interviewed Stan the Man when I was just 15 years old, in the mid 1970’s. I was part of my high school lit magazine and the supervising teacher decided he wanted to do an issue without drippy teen heartbreak poems. Instead he wanted to create a magazine about New York; everything had to be linked to New York. When I suggested that the most creative guy in New York City was Stan Lee, the teacher smiled. “But how are you going to interview him?” I said I would just call him. The teacher chuckled and dared me to do it.

So I did. I got the number for Marvel Comics, called and asked for “Stan Lee, please.” I got his secretary instead, and she could tell immediately that I was just a kid. But she didn’t hang up. She was great, pleasantly explaining that Stan was busy at the moment, and asking when my deadline was. “In three months,” I said. She laughed, “Well, you’ve got me there, haven’t you? Let’s see if I can pencil you in.”

To my surprise, and the teacher’s shock, she gave me an appointment. On that date, I called, my five questions laid out before me. And Stan Lee actually got on the phone!

Here’s lesson number one from The Man: never let yourself get too big, too self-important. Here was a writer, creator, editor, publisher at the height of his power, in the midst of changing an entire creative genre, and he did an interview with a teenager for a school magazine. Smallest possible audience imaginable, and he made time for me. How can we as writers do less?

Even more impressive, Stan Lee did that interview in full Stan Lee mode. He was energetic and positive, gracious and lively – for a fifteen year old. Over the years I have seen dozens of interviews with Stan, and have seen him at comic cons. You know what? He delivers every time with that same positive energy and lively grace.

And that’s lesson number two: give it your all, every single time, no matter the pay off. His generosity has stayed with me all these years, and I have modeled my public behavior after his obvious love for what he is doing.

If you truly want to be a successful writer, or, honestly, a successful anything, Stan Lee’s example is worth following.

Excelsior, indeed.

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Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.</em

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On Marriage: 27 Years later, it is Still About The Girl

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Twenty-seven years ain’t a drop in the bucket, brothers and sisters, unless you are Cher, Joan Rivers, or Bill Cosby. Being married for 27 years, well, not everyone makes it this far. Doesn’t make me better or worse (yes, I know some of you are SURE it makes me “worse”), it is just part of what makes me, well, me. Or, more correctly, we.

The Wife has kept at this for 27 years, too, of course. Please don’t hold it against her, everyone has their flaws. And anyone looking for a love song, fairy tale, or romance novel can slip out the back door now. We’re discussing real love not romance. And real love bruises as much as it blesses. Rough times included issues of money, anger, religion (in the same religion!), child-rearing, and possible pre-meditated murder (I suspect she’s spent years paying my life insurance while trying to kill me with mountains of pasta).

So, how are we still together?

Good question. So much of our marriage makes little sense, is bad business, or seems to throw caution to the wind. We are so different: The Wife is quiet, and settled in her ways, and confident in her decisions, and does not like to argue. I am often loud, and often unsettled (I rewrite my non-fiction life at least as much as I do my fiction), and am confident in my decisions … until I decide my decisions are wrong and present a new set of decisions. And I love to argue. Arguing is a family past time, an ethnic legacy, a geographical imperative (we come from The Bronx). And so, I love to argue.

But she does not. And she grew up in The Bronx too. So maybe it wasn’t that. And her ethnicity is known to argue, but she doesn’t. So maybe it wasn’t that, to be honest. And her family didn’t need to pass the time arguing, so maybe that wasn’t so key, either.

Maybe it was me.

I am loud and argumentative (and love it), and yet she stayed with me. For 27 years. Maybe she has been nuts all this time

Except, she believed in me.

What a revelation that was. She believed in me despite my near infinite flaws. She wanted me to write. And she read me. For years. Before I knew what good looked like. Before Elmore Leonard. Before Walter Mosley. Before Richard Price, and before so many more. And she quietly, calmly, sweetly, and with a ridiculously seductive voice, kept urging me to keep writing. And reading. And spending time on my dream. Our dream. She believed in it, too. Holy sh#%! She believed in me!

Sounds kind of one-sided, I know. What does she get out of the deal? A performance for one, to start. Every joke, observation, epiphany, story idea, political concern, moral outrage, I say them to her first. And I know that can overwhelm, but over the last couple of years, I learned to even shut up once in awhile and give her some space. And channel my passions (which look a lot like anger, I’ve been told), and focus my energies (which look a lot like anger, I’ve been told), and not get lost in thought (which looks a lot like anger, I’ve been told). All of it has improved the writing. Publishers aren’t pounding down the door, and I haven’t hit best seller status, but my work has earned a few accolades, and people have begun saying nice things, and she was there before any of them.

That’s why I write. And breathe. And live.

You see, it’s about a girl. Always has been.

Even after 27 years. Even after having to figure out money together. And kids. And each other (still working on all of these, lol). And how to write. And how to publish. And how to promote (still learning all of these, especially that last one). We’ve learned together, grown together, created everything together. I suspect she does it as an act of
mercy. I know I do it for her. This has all been an elaborate scheme to woo her.

You see, it’s all about a girl. Always has been. And always will be.

Twenty-seven years. It’s a real fine start….

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.</em

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Mark Twain’s Nine Steps for a Kickass Life

I want to share a great article and a great personal checklist, for both writers and non-writers, from one of America’s best.

However, I do not want to rob the location where I saw it of deserved hits, so here’s the link.

http://thispageisaboutwords.com/mark-twains-top-9-tips-living-kick-ass-life/

I’d love to know which step you need to work on the most. What do you say?

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.</em

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Thank you all

Over the last few days, I took a risk that scared the Hell out of me. I gave away writing I worked so hard to give quality. I gave it away on three days leading up to Thanksgiving, as a way to say thanks to all, people I know and people I do not, in celebration of an outstanding creative year.

CITY OF SIN is the second book I’ve published, after CITY OF WOE, which earned me honors from thebookcast.com (“book of exceptional quality”) and the Independent Book Publishers Association (“Best New Voice in Fiction, 2013”). Even though it isn’t a best seller, people and organizations are beginning to notice my work is worth a look. I wanted that to continue. I had to maintain quality. I had to be creative. I had to deliver. So the pressure I put on myself was intense. Luckily, early response to CITY OF SIN suggests readers are enjoying this work as much as they do CITY OF WOE. This is energizing as I continue writing the sequel to CITY OF WOE, to be named CITY OF NIGHT.

Why would I give away writing I worked so diligently to do well? Because writers and readers are in a relationship, and for a relationship to start, someone has to say hello first. My hello took the form of a Thanksgiving Giveaway. For three days leading up to the holiday, everyone was allowed to download a free Kindle copy of CITY OF SIN. No strings attached. No tricks. No other commitment. My belief is that if I reached people who like suspense thrillers, supernatural police procedurals, or any combination of these genres, they would be glad they gave Detectives Mallory and Gunner a chance. They might even come back to read more of their adventures. But first, people needed a reason to try it. What better way than to say hello, and thank them in advance? What better time to do this than Thanksgiving?
(For those reading outside the USA, thanks just the same for spending some of your time with me. I honor your presence and generosity sincerely.)

Still, it was a scary risk. What if no one took me up on my offer?

But many of you did, more than have ever read my creative work. So, again, I have to say thank you. Thank you for giving my work a chance. Thanks for letting Mallory and Gunner into your lives. Thanks for letting me create. When authors sit alone at the keyboard, sure they are interacting with their characters, but when they emerge from the dream, they are alone again, and sometimes it feels like a connection will never be made. Thank you for at least saying hello back. Here’s hoping this is the beginning of a long and enjoyable relationship for all involved.

Happy Thanksgiving.

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.</em

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Great guest post to share on WordPress Must-haves

22 Essential WordPress Plug-ins for Business Bloggers – Pt 1 (via 7 Graces of Marketing – Ethical Marketing for Social Entrepr)

Having the right plug-ins can unleash the marketing power of your blog. Marketing strategist Lynn Serafinn shares her list of ‘must have’ WordPress plug-ins. Part 1 of 5. If you follow the 7 Graces blog regularly, you’ll know that I believe in…

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Thanksgiving Giveaway!

Hey, you’ve been part of a great creative year for me and to say thanks, I want to give something back to you. So from Monday, 11/25 through Wednesday 11/27, I am offering a free Kindle download of CITY OF SIN, the short story prequel to my award-winning debut novel, CITY OF WOE. One of the stories was honored by Writer’s Digest, all of them are designed to intrigue, thrill, and entertain you.
This is my way of saying thanks for being here and offering a bit of fun this holiday.
Use the link below to get there.
Enjoy.
Cheers!

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.</em

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My Best Writing Advice: Let it suck

There seems to be an abundance of writing advice on twitter today, for which I am thankful. To return the favor, I wanted to offer the best writing advice I give my students, but this has proven impossible to do in 140 characters. So I will write a brief blog and offer a link on twitter.

My advice to writers of both fiction and non-fiction is always this:

LET IT SUCK.

Writing that sucks is infinitely easier to improve that a blank screen or empty page. Simple as that.

If you allow yourself to just write not worry about its value, most of the writing will include your usual level of quality. And some of it will suck. The sucky parts are easy to fix. Just ask yourself why the sucky part sucks (without having a meltdown) and you will see that the sentence should actually say this, or the character would never do that, or there is a repetitious phrase, or it drags on too long and should be two sentences, etc. See? None of these things are insurmountable, and most often your mind addresses/corrects the issue quickly. Boom. Done. Move on to the next area of suck, and address that. Each fix makes the work suck less. And you, my friend are being productive.

How do you know when it is great? When you have been through it twice and know deep inside that now you are just fussing. This is when you are ready for the big test: reading it out loud.

Don’t scoff, Shakespeare, this is a necessary step.

Reading your work out loud, in a voice and at a pace you would use when reading publicly for money, will reveal all the hidden flaws your eyes and ego hid from you. Don’t meltdown over this either, just mark it, and continue with your “public reading”. I print out my copy to do this step; it is easier to mark and move on than to start rewriting onscreen in the middle of a “public read”. I just make a mark by the word, no notes, and go back afterward and do whatever is needed.

And yes, reading it again after all the fixes to make sure your writing is as nearly perfect as you can make it is adviseable.

So, remember, let it suck, then make it suck less, and suck less, and suck less, until it is, much to your shock and delight, great.

Keep writing, brothers and sisters.

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.</em

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A big step for a small book

I don’t get nervous. That is what I keep telling myself as I pace the kitchen, boiling water for another cup of tea. Not nervous at all. Pace, pace. Not me. Pace, pace. Never.
Today I join my partners in LivingEd, an education-oriented independent publishing company, in debuting The Ferguson a Files: the Mystery Spot at the New York City Comic Con. While it is not a comic, this children’s book has plenty of illustrations, heart, and a bunch of eight-year-olds solving a fun little mystery. The back of the book is filled with fun detective games that can be safely played around the house to keep kids thinking.
It is a fun book that I am proud to have published.
So why am I pacing?
Some of it has to do with the bags of promotional giveaways on my dining table. All done inexpensively, I still spent about three times what I can earn today, unless every single person who gets a card or a magnifying glass, or a goodie bag at the end of our drawing class at the NYCCC buys at least one copy of the book.
Marketing doesn’t work that way. One in ten would be more likely. But I am okay with that. This is the launch, this is getting the word out, this is the starting line. Patience, padawan.
I learned that patience pays off in the marketing of my first novel, CITY OF WOE. While it has yet to amaze Amazon.com, there has been a steady trickle of buyers, enthusiastic reviewers, and generous people who have spread the word. A little something encouraging keeps happening with that novel, and now there is a base for the prequel short story collection CITY OF SIN, available very soon.
So why am I pacing?
Because I want The Ferguson Files to do well. I want kids to love our heroine, Margaret Agnes Ferguson, like I love her. I want them to embrace her way of asking endless questions, of thinking for herself, of always wanting to learn more. Like so many of us, my little creation is like my child…
And I am about to shove her out there into the Big Bad City, among the muscular superheroes and scantily clad heroines, the villains and demons and darkness, and worse, the public, who can turn from kind to cruel in an instant.
I keep thinking of last Saturday, when we previewed The Ferguson Files: The Mystery Spot at The Collingswood Book Fair in south Jersey. I gave out business card-sized announcements with a magnifying glass taped to the back to kids, saw them come to the booth with it still in their hands. Cool. Sold a few. Cooler.
Then two women in their late thirties, early forties walked by. One saw Margaret Agnes Ferguson’s book and raised an eyebrow. I went into the pitch, ” She’s an eight-year-old detective solving the questions surrounding her….”
Too late, one leaned into the other’s ear. I heard her whisper something about “a red-headed eight-year-old” and then they both snickered (that’s right, snickered) and walked away.
I knew then that Margaret Agnes Ferguson was my child just as surely as my sons because I wanted to step in front of her right then, protect her from these cold, mean, snickering villains.
That’s how it is with what we create. We want to protect them, shelter them, make sure nothing bad ever happens. And now I am bringing little Margaret Agnes Ferguson from a suburban street fest to the chaotic, sensory-overloaded realm of commerce and hustle and spectacle and hugely-financed marketing campaigns. And I have business cards from Staples and plastic magnifying glasses from The Party Box.
That’s why I am pacing. Because we can’t protect our creations or our kids from what is out in the world. We can only do our best to prepare them to be the best they can be.
Margaret is exactly what I hoped she’d become, and her book is a warm and fun story that can make kids feel good and get them thinking. She’ll never wear a metal bikini or fight space villains wearing cinnamon buns on her ears. She explores her neighborhood with her friends, asking why, and finding answers, and learning lessons. And that’s good enough for me.
I love you, Margaret Agnes Ferguson. Best of luck today. And don’t worry about the snickerers, I’ve got your back.

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.</em

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Sleepless Nights from School Daze

I woke up from a dream in which i was struggling to play Stanley Clarke’s “School Days” and stressing that I could not play that complicated baseline well. when my dream cleared, i realized I was really fretting about this school year.

So another year starts. I’ll give it this much, the havoc is more organized this year.

Physically, the high school grounds is mostly done with repairs. The new floors are mostly installed. The new single-point entrance security vestibule is about a third complete.

Technologically, the phone banks throughout the school system are mostly converted to the new format, and are completed in the high school. The iPads are almost ready, and will be by October. The Edmodo update is probably ready. We’re almost ready to switch our websites to Google calendar, but we should continue to update our present format for now.

Also, a positive teaching environment and school work must be posted on the walls of each classroom by all teachers for all students at all times on walls that won’t hold any tape weaker than Duct tape.

And for our lesson planning, we should be ready to incorporate SGOs (Student Growth Objectives), Danielson, Teachscape, Common Core, and Kagan strategies into our lesson plans and lessons and be assessed on them in the classroom, three times a year for tenures, four times a year for non-tenures, with pre and post meetings for each, plus walk-throughs, for which all the above must be in plain sight at any given moment.

Or at least that it how it seems.

And people wonder why teachers are stressed. And people wonder why teachers bristle at the currently very political idea that this is a ten-month job for which we work only 8 a.m. until 3 p.m.

It is now early a.m., hours before dawn, and I cannot sleep because I am worried about getting all of this right based on a scale we aren’t fully sure of, which wasn’t even official as recently as August, which seems to have a lot of wiggle room to find fault with a teacher’s performance, which will result in being judged on a scale designed with much more areas rating a teacher as insufficient or in need of improvement than it does acknowledging a teacher’s competence or talents or greatness.

Are we wrong to see the game as rigged? Because we teachers do, we really do.

And we are wondering why.

Yesterday, my department was shown state testing results chart wherein our students grew in almost every category measured. Special Ed fell short in one area, and an ethnic group’s numbers grew to a smaller degree than others, but overall the report was positive to thrilling in its message.

And the supervisor said, “I don’t know how we got that growth but keep doing it.”

We will now “keep doing it” by changing and adding all these new, nerve-wracking elements (and to clarify, we are nervous because we are exactly the dedicated educators who got those growth numbers, not because we are inefficient or incompetent or disinterested), to be judged on a scale where rewards are hard to see but disapproval seems plentiful, an evaluation system that seems to stress teacher shortcomings, and require retraining, and creates an official track record of inefficiency but does not seem balanced with praise or acknowledgement or reward.

So, here we are being shown our success, and then asked to embrace all these changes designed to improve our performance, or record our shortcomings, with possible consequences that include withholding of salary increases or stripping away of tenure, or possible termination.

That evaluation scale celebrates neither experience nor creativity nor dedication nor efficiency nor suggests faith in staff abilities. Yet, this is our new reality in the wake of near total success across the board.

And in the middle of the night when we should be sleeping, we are wondering why.

Welcome back to school.

Christopher Ryan is author of City of Woe, available on Kindle and Nook, and in print. For more info, click here.

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